Installation Views

This is an installation image of the exhibition titled "Family Album" by Margot Bergman in 2019.This is an installation image of the exhibition titled "Family Album" by Margot Bergman in 2019.This is an installation image of the exhibition titled "Family Album" by Margot Bergman in 2019.This is an installation image of the exhibition titled "Family Album" by Margot Bergman in 2019.This is an installation image of the exhibition titled "Family Album" by Margot Bergman in 2019.This is an installation image of the exhibition titled "Family Album" by Margot Bergman in 2019.This is an installation image of the exhibition titled "Family Album" by Margot Bergman in 2019.This is an installation image of the exhibition titled "Family Album" by Margot Bergman in 2019.

Works

This is a painting titled "Sunny" by Margot Bergman made in 2019.This is a photograph titled "Like Mother Like Daughter" by artist Margot Bergman made in 2019.This is a photograph titled "Teddy" by artist Margot Bergman made in 2019.This is a photograph titled "Babykins" by artist Margot Bergman made in 2019.This is a photograph titled "Cherie" by artist Margot Bergman.This is a photograph titled "Lola" by artist Margot Bergman.This is a photograph titled "Goldie" by artist Margot Bergman.FrancisThis is a photograph titled "Imogene" by Margot Bergman. The materials are archival pigment print on rag paper and the dimensions are 20 inches by 15 inches.This is a painting titled "Muse" by Margot Bergman in 2019. The materials are acrylic on canvas and the dimensions are 50 inches by 65 inches. DearieThis is a painting titled "Portia" by Margot Bergman made in 2019.

Press Release

Margot Bergman

Family Album

June 26 –
August 16, 2019

Anton Kern Gallery is excited to welcome back Chicago-based artist Margot Bergman for her second solo exhibition with the gallery. In Family Album, Bergman presents recent paintings and, for the first time ever, photographs.

Margot Bergman (b. 1934) has sustained an active painting practice in Chicago since the 1950s and honed a peerless style of figuration. For the last 15 years her subject matter has focused on individual faces of imagined people, predominantly women. Her style is characterized by active expressionistic brush work, unconcerned with symmetry, realistic proportions, and traditional notions of femininity. Bergman can adeptly shift styles within a single composition, juxtaposing photorealistic eyes and lips, with a scribbly green hair-do, and a thin wash of color for the complexion, creating distorted beauties reminiscent of Dadaist collage.

Bergman’s unabashed women, presenting themselves in varying stages of done-up and undone, gaze directly back at the viewer. Each of these poignantly human figures possesses a distinct persona, and therefore is named rather than titled. Paintings of Isadore, Portia, and Liz, while fully formed also leave an openness for each soul to wander.

Mingling with the ten paintings is a series of eight portrait photographs. The artist’s foray into photography began with experimentation in her studio with an iPhone camera. While the protagonists in Bergman’s paintings are conjured up from the artist’s imagination, the subjects in her photographs are existing objects posed with materials she has collected over time. Having cohabitated with Margot for many years, these mannequins, dolls, and figurines have become her familiars.

With Bergman’s eye behind the lens, she translates her painterly sensibility into the language of film or theater. She takes on the role of director, appointing actors and creating each peculiar mise-en-scène through consideration of costume, lighting, and camera angle. Through a cumulative viewing, these theatrical photographs bear an uncanny resemblance to Bergman’s paintings. Examined together, this manufactured family album memorializes the environment in which they were created and their palpable relationship with the artist.

Margot Bergman has exhibited in solo and group shows in the US and Europe since 1970. Her work has been the subject of five solo shows at Corbett vs Dempsey in Chicago (2006, 2008, 2010, 2014, 2018), as well as a solo show at Anton Kern Gallery (2016) and Suzanne Vielmetter in LA (2017). She was also included in Body Doubles at the Museum of Contemporary Art, Chicago, curated by Michelle Puetz (2015).

Her first institutional solo show in Europe debuted this year at the Museum Langmatt in Baden, Switzerland, and a modified version is currently on view at the Museum Folkwang in Essen, Germany, through June 30. The accompanying exhibition catalogue, with texts by Britta Peters (the artistic director of Urbane Künste Ruhr), Markus Stegmann (the director of Museum Langmatt) and John Yau (art critic and lyricist, New York), will be available at the gallery.

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