Installation Views

This is an installation view of the group exhibition titled “It's Always Summer on the Inside” in 2012 at Anton Kern Gallery.This is an installation view of the group exhibition titled “It's Always Summer on the Inside” in 2012 at Anton Kern Gallery.This is an installation view of the group exhibition titled “It's Always Summer on the Inside” in 2012 at Anton Kern Gallery.This is an installation view of the group exhibition titled “It's Always Summer on the Inside” in 2012 at Anton Kern Gallery.This is an installation view of the group exhibition titled “It's Always Summer on the Inside” in 2012 at Anton Kern Gallery.This is an installation view of the group exhibition titled “It's Always Summer on the Inside” in 2012 at Anton Kern Gallery.This is an installation view of the group exhibition titled “It's Always Summer on the Inside” in 2012 at Anton Kern Gallery.

Works

This is a work titled Gingham Guitar by artist Dan McCarthy made in 2012. The materials are acrylic on canvas,  and the dimensions are 55.125 inches by 44.125 inches.This is a work titled HAND by artist Amy Sillman made in 2012. The materials are oil on canvas, and the dimensions are 49 inches by 51 inches.This is a work titled Milky Way by artist Kiki Smith made in 2011. The materials are Murrini with push pin, glass and plastic glitter, gold leaf and ink on Nepalese paper mounted on canvas, and the dimensions are 72 inches by 76 inches.This is a work titled From Here by artist Dan Walsh made in 2008. The materials are acrylic on canvas, and the dimensions are 74 inches by 115 inches.This is a work titled Lucy and Janice. 1977 - 1988. The Gambia. by artist Marlene McCarthy made in 2006. The materials are Graphite, ballpoint pen and plaka on paper, and the dimensions are 69.5 inches by 79.5 inches.

Press Release

It's Always Summer on the Inside

organized by Dan McCarthy

July 10 –
August 24, 2012

The exhibition’s title is taken from an advertisement for surfing wetsuits from the 1970s. Using an Oneil wetsuit promised that once inside your new second skin, Summer was awaiting.

 

The title itself is comprised of two somewhat contradictory parts: It’s Always Summer and On the Inside, which is unusual in that Summer typically conjures images of the Outside. This conceptual bridge between the two distinct parts of the exhibition’s title functions like a Zen Koan and forms the crux of the exhibition.

 

Which begs the question: what or where is The Inside?

 

The artists included in the exhibition tend to work in an intuitive, direct and personal manner. Their subject and method indicate an investment in meaning rather than creating artworks that mirror or approximate social gestures. The cultivation of a personal interior space or Inside allows room for psychic and emotional development, a place to organize memories, emotions and wishes into coherent forms: paintings, drawings and sculptures.

 

Through the creation of a personal proposal, expression thus becomes a type of truth seeking. This position requires a conviction of personal freedom and confidence; exploring possibilities through hand painted signs and personally invested images. The paintings and drawings included in this exhibition are chosen for their canny ability to project a version of not simply Summer but Summer on the Inside.

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