Installation Views

Akg 2007 jonaswood 1 1400 0x186x3000x2000 q85Akg 2007 jonaswood 6 1400 0x214x3000x1997 q85Akg 2007 jonaswood 4 1400 0x193x3000x2002 q85Akg 2007 jonaswood 2 1400 0x186x3000x1999 q85Akg 2007 jonaswood 7 1400 0x186x3000x1998 q85Akg 2007 jonaswood 3 1400 0x185x3000x1997 q85


Wood scholl canyon painting ak5101 1400 0x0x801x535 q85Ak5100 untitleddoubleselfportrait 1400 0x831x2563x1712 q85Ak5090 fishtank 1400 0x750x2653x1772 q85Ak5093 woo ewingscard 1400 0x122x1810x1208 q85Ak5091 untitledfridgeplant 1400 0x46x2623x1752 q8508a guestroom 2007 1400 0x0x2143x1432 q85Ak5092 woo bullets 1400 0x125x1740x1160 q85Ak5088 woo daisukematsuzaka 1400 0x282x2447x1634 q85Ak5086 woo thestilllife 1400 0x0x3000x2002 q85Ak5094 donttouchmyshadow 1400 0x1309x2230x1488 q85Ak5024 woo jerm 1400 0x59x2081x1390 q85

Press Release

July 12 –
August 10, 2007

June 28, 2007—For his first solo exhibition in New York, the young Los Angeles-based artist Jonas Wood has put together a group of paintings and watercolor drawings that complement each other thematically and formally. The subjects are nearly classical, flower still-lifes, interiors, portraits, figures, with a slight twist (both thematically and compositionally) e.g. by including images of star athletes.


The artist works from life, from photo collages, and sometimes, as in the case of the basketball players, from media sources. Preparatory sketches and collages build the basis for the drawingsʼ and paintingsʼ compositions and spatial lay-outs. At this point in the process, Wood invents the perspectival tilt and distorted viewpoint that so clearly define his works.


The blocky flatness of the paintings, their tilted perspective, the compositional autonomy of color, line and shape point at Woodʼs interest in concepts of time and the legibility of nature. What these works bring to mind historically, such as the intense otherness of early American itinerant portrait paintings, or the flat intricacies of Stuart Davisʼ American-Cubist paintings, or the spatial and colorist play of David Hockney, and even the psychological acumen and emotional intensity of Alice Neel, they supercede in a present-day-ness and contemporary thrill and pleasure.

Read MoreRead Less