Baden Baden Baden
Kunsthalle Baden-Baden, Germany
November 2, 2018 – February 17, 2019
John Bock: In the Moloch of the Presence of Being
Berlinische Galerie, Berlin
February 23 - August 21, 2017
John Bock walkthrough of exhibition at Berlinische Galerie
April 29, 2017
John Bock leads through his exhibition John Bock: In the Moloch of the Wesenspräsenz within the framework of the Gallery Weekend Berlin. Free Admission.
Slide in the sweat of the underarms
La Panacée, Montpellier, France
May 19 – August 27, 2017
Featuring three video installations: Dear Sir and Madam (2011), Härchen mit Momsen dran (2017), and Hell's Bells: A Western (2017)
An Absurd Lecture: The Art of John Bock meets the art of Improv
Senior Curator Heather Pesanti unpacks topics of humor and absurdity in the history of art, tracing it to present examples within John Bock’s exhibition.
The Hideout Theatre will perform live comedy inspired by Bock’s artwork and Pesanti’s discussion—a one-time, original improvised performance paying homage to Bock’s work and the art world at large.
November 30 at 7 p.m.
Festival du nouveau cinéma presents Hell's Bells: A Western
Musée des beaux-arts de Montréal, Canada
Saturday, October 14 at 11:30
Original version in German
Subtitled in French
Once upon a time... The Western
Montréal Museum of Fine Arts, Canada
October 14 – February 4, 2018
The Art of Recollecting
An exhibition from the collection of the Hildebrand Collection
G2, Leipzig, Germany
February 7 – May 21, 2018
Exhibiting the Exhibition: From the Cabinet of Curiosities to the Curatorial Situation
Staatliche Kunsthalle Baden-Baden, Germany
March 2 – June 17, 2018
Live Concert: John Bock & Kris Limbach
Kunsthalle (Kurmuschel) Baden-Baden, Germany
March 2, 2018 at 9pm
Lecture
Fondazione Prada, Milan
September 8, 2018
The exhibition “The Next Quasi-Complex” will culminate in a live lecture, scheduled for September 8th, in which the artist and the actors Lars Eidinger and Sonja Viegener will activate the mobile stage of When I’m looking into the Goat Cheese Baiser, navigating around the installations “like a fly around a carcass.”